This exhibition may contain themes and imagery of an explicit nature and may not be appropriate for all viewing audiences.
April 4 - June 29, 2014
InCiteful Clay offers an unparalleled overview of an emergent movement in contemporary ceramics dedicated to social commentary. Artists have long used their creations as powerful vehicles to confront society with major problems of the day, expanding from paintings, sculptures, prints, and photographs to installations and electronic media over the last century. Social concern has also become an area of increasing interest in contemporary craft.
Incorporating a broad range of work, this selection of 27 ceramics looks at artists who have mustered an age-old medium to issue provocative critiques of current social and political inequities. The premise of this exhibition is organized around five themes: war and politics; the social and human condition; gender issues; environmental concerns; and popular and material culture. The artists have conveyed their messages in styles that are aggressive, violent, disturbing, irreverent, and at times, humorous, but ever passionate. They rely on figurative imagery, narrative content, and a range of expressive avenues, including caricature, parody, satire, obscenity, erotica, and the grotesque.
Featured artists in the exhibition include Akio Takemori, Toby Buonagurio, Nuala Creed, Michelle Erickson, Anne Potter, Ehren Tool, Richard Shaw, and Paula Winokur. Among the specific topics they address are the social consequences of war, the impact of declining moral values on children, capital punishment, consumerism, and global warming.
Traditionally ceramics have served functional and decorative purposes and have been associated with positive experiences. Visitors to this exhibition will come away with a new appreciation for the expressive capabilities of clay media to convey substantive content and to deliver the powerful critiques more routinely seen in painting and sculpture. They will also discover the distinctive avenues of expression associated with ceramics, arising from ironic adaptations of traditional forms and functions and the cultural meanings ceramics have acquired over time.
Artist Bonnie Seeman departs from the standards of embellishment traditionally associated with functional ceramics in Untitled (bowl), where she juxtaposes botanical and anatomical images to convey the fragility and resiliency of life. Chad Curtis’s Cows uses sterile and homogenized materials to explore the ethics of the food production system, and Adrianne Crane’s eye-catching flower grenades in Artillery Field are a sinister representation of the destructive hand grenades used in war. InCiteful Clay affirms the significant contribution of ceramics to contemporary art of social concern.
InCiteful Clay is curated by Judith S. Schwartz, Ph.D., an internationally recognized specialist in contemporary ceramics. A professor and director of craft media in the Department of Art and Art Professions at New York University, Schwartz recently published a groundbreaking study on this movement in ceramic art titled Confrontational Ceramics: The Artist as Social Critic (University of Pennsylvania Press, 2008).
A Program of ExhibitsUSA, a national division of Mid-America Arts Alliance, with the Arkansas Arts Council and The National Endowment for the Arts.
Sponsored by: Haynes and Gladys Whitney
(Above): Brook Le Van, Mirro-Matic Electric Fry with Acoma Jar and Mimbres Men Setting Bird Snare bowl, 2000, earthenware and found object, 12 x 17 x 4 inches, courtesy the artist.